![]() ![]() ![]() ![]() One of these is the very frequent appearance of unnecessary sharps, flats and naturals. An additional factor which led me to copy these studies is that of certain conventions followed in the original editions. The fingering I have added is that which I feel to be useful to a broad range of guitarists, leaving out only very natural or not particularly important usage for the left hand and providing at least some indication of that for the right hand. ![]() Even if one makes the considerable effort required to work it out, the result is likely to be a very messy copy of one’s music. The best fingering is not always obvious in these pieces. The material, while not particularly difficult, does range all over the guitar fingerboard in such a way as to make it very challenging to play on sight. The reason that I did so, however, is that the Eschig editions, which probably came more or less directly from the hand of Villa-Lobos himself, contain almost no fingering indications. By virtue of their being copyrighted and also easily available from the publishers there seems little point in creating a new edition such as this. The Guitar Studies of Heitor Villa-Lobos These twelve studies are copied from Editions Max Eschig M.E. Heitor Villa-Lobos ~ Doze Estudos para Violão ![]()
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